a few new members have joined the illustrious Bedford Rockers collective. Please take notice of their names to the left.
If you or a friend thinks they have the ability to summon the sheer, unmitigated gall it takes the it takes to become a member of our elite club.. please submit a proposal to
Normanrequirements.
you must be:
I. moonlighting as a misogynist.
II. a music snob.
III. well versed in the arts of internal, international and intermittently introspective espionage.
IV. affiliated with a well established teen smut/fetish site.
V. able and willing to facilitate a Methadone & Methadone Anonymous Support meeting every other Monday at 4:00 pm sharp. (L.E.S. of course.)
VI. that certain breed of cadet who has amassed a serious disdain for syntax, to which you have professed an undying oath, written in no more than 3 different bodily fluids, formatted as a Deutsche-Haiku-Catechism/Creed which has been translated from English to Latin, back to English, and finally converted into an Double Entendre Anagram, which you compulsively recite, without fail, daily, verbatim.
VII. handsome.
We neither expect nor accept anything less.
(*edit- this post is meant to be a whimsical pun. Please don't send any more applications. if you're down, you're down.)
Johnny Dark, not to be confused with the American comic, is responsible for probably half of the tracks on Junior Boys' first album Last Exit. Originally a member of the duo, Dark got replaced by Matt Didemus after he and Jeremy Greenspan had creative differences, before the album was completed. Personally, 'Teach Me How To Fight' is tops in my book, which is a Greenspan and Didemus jam, but Johnny's responsible for those high-pitch vocals, the Timberland-esque beat work, and just the all around "sexy" feel, you find throughout those classics like Bellona, High Come Down, and Birthday. Basically, dude compiled a few things he did sans Greenspan from 2003-2005 and Domino-KIN finally put out a 4-track EP, titled 'Can't Wait.'.jpg)
My favorite footage in the Made in Sheffield Documentary is the Artery performance of Afterwards. Another highlight is ABC's Look of Love.
About a year ago Richard D James and Chris Cunningham performed in Torino, Italy. They presented the audience with some familiar pieces and some unreleased/unseen music/videos. Also they bring out some very spooky afx masked girls that sway around on the sides of the stage. Some amazing shadow puppet work ensues at one point . I wish I couldve been there. My favorite show I never saw.
"There is more music everywhere, but less in your private mind, close to your inner self."
a quick trick...Take a microphone and sample the word "hello"(its good for hearing the results) Now press 
Micro minimal purveyor, Aksel Schaufer, one of New York's cult leaders. 1:32 in the video is thick mood. 
David Axelrod. One of the most innovative producers in the history of music. Buy his new DVD.
a little too much digital jon.
A dream is not simply something one sees. I think it is important to hold on to our hopes and to continue creating our dreams. Although many restrictions operate in the realm of architecture, it is not enough simply to use architectural methods to fulfil a set of imposed conditions. I would like to reflect on what challenges I have faced and what I have tried to contribute to society through my architectural projects so far. For me, "dreams" are not just my dreams, so I want to create a setting where people can explore together how to make their dreams come true.' (Tadao Ando)
she wouldn't sit with us 
